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All knoen crew members and administrators involved in Logos productions are listed below in alphabetic order of surname. Where someone has helped with more than one production, the relevant productions are listed in chronological order, beginning with the most recent. 

We are still trying to complete the archive. Please feel free to point point out any errors or omissions to Roger Sansom: roger@logostheatre.co.uk.

This site also includes similar lists of directors and actors.

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

A
   
Paul
Agar Richard II (fight arranger)
Gerard
Ahearn King Lear (1991) (stage manager)
Annette
Allen Life Is a Dream (deputy stage manager)
Monia
Antonioli The Social Climber (photography)
Rebecca
Applin Richard II (composer)
James
Ashley Down Scapin's Tricks (lighting design)
Life Is a Dream (lighting)
B
   
Sebastian
Barraclough The Rivals (lighting)
Sam
Bain Ghosts (administrator)
Eleanor
Baker Twelfth Night (1990) (co-designer)
Saira
Baker The Importance of Being Earnest (2000) (stage manager)
Baldwin The Social Climber (costume design)
Deirdre
Barber Androcles and the Lion (costumes)
Conrad
Blakemore Endgame (photography)
Jane
Boyd Endgame (casting, press and publicity)
Barbara
Brady Measure for Measure (costumes)
The Merchant of Venice (costumes)
Scott
Bridgens Charley's Aunt  (assistant stage manager)
Kirsten
Buckmaster Candida (stage manager / technician)
Nicky
Bunch Endgame  (costumes)
Michelle
Burke Scapin's Tricks (assistant stage manager)
C
   
Didi
Chapman Charley's Aunt (costumes)
Ghosts (costumes)
Richard II (costumes)
The Cherry Orchard (costumes)
Romeo and Juliet (costumes)
The Rivals (costumes)
Scapin's Tricks (costumes)
Life Is a Dream (costumes)
Katy
Clarke The Cherry Orchard (design)
Connell The Social Climber (new media)
Lucie
Coulton Charley's Aunt  (deputy stage manager)
John
Cooper Hay Fever (producer)
Rowan
Coupe The Social Climber (sound engineering)
Gabriella
Csanyi-Wills Scapin's Tricks (design)
Richard
Cullen Romeo and Juliet (lighting design)
D
   
John
Dalton

Hay Fever (set)
Candida (set painter)
Nude with Violin (set painter)
The Social Climber (scenic artist)
The Importance of Being Earnest (2010)  (set construction)
"I'll Leave It to You"  (set painter)
The Cherry Orchard (set design)

Carolyn
Daniels Measure for Measure (costumes)
The Merchant of Venice (costumes)
Jane
Davies The Roman Actor  (assistant director)
Macbeth (design)
Matt
Dennis The London Cuckolds (assistant designer)
Ellen
Dick "I'll Leave It to You"  (ASM/understudy)
Alex
Dougherty The Cherry Orchard (poster design)
E    
Derek
Easton Charley's Aunt  (wigs)
Linzi
Else The Social Climber (choreography)
F
   
Charlie
Frank John Gabriel Borkman (stage manager)
I Have Been Here Before (stage manager)
Ford Charley's Aunt  (set design)
Francis The Social Climber (stage manager)
Rachele
Fregonese The London Cuckolds (stage manager / production assistant)
Kate
Frith The Importance of Being Earnest (2000) (design)
The Tempest (design)
The School for Wives (design)
G
   
Geroge
Galkin Hay Fever (lighting/technician)
Fiona
George Scapin's Tricks (props buyer)
Barbara
Gormley The Social Climber (costume maker)
Paddy
Gormley The Social Climber (print design)
The Importance of Being Earnest (2010)  (programme design)
Will
Gormley The Social Climber (live music consultant)
Stuart
Graham Ghosts (technical manager)
Sarah
Griffin The Social Climber (technician)
Katy
Griffiths Ghosts (studio manager)
H
   
Matthew
Hales Charley's Aunt  (stage manager)
Suzy
Hart The Cherry Orchard (deputy stage manager)
Melissa
Holston Scapin's Tricks (publicity design)
Fiona
Hopkins Richard II (design)
Margaret
Hotine King Lear (1991) (notes and background material)
Sarah
Howes Measure for Measure (costume assistant)
The Merchant of Venice 
(costume assistant)
J
   
Deanna
Johnson Twelfth Night (1990) (stage manager)
Richard
Jowett John Gabriel Borkman (design)
I Have Been Here Before (design)
K
   
Anjali
Kale The Importance of Being Earnest (2010)  (stage manager / technician)
Rachel
Kaplan Romeo and Juliet (stage manager)
Jonathan
Kennedy The Cherry Orchard (theatre manager)
Hannah
Kester The Cherry Orchard (lighting & stage manager)
Paul
Knott Richard II (lighting)
L
   
Tristan
Langlois Scapin's Tricks (period movement advisor)
Phil
Lea John Gabriel Borkman (lighting design)
I Have Been Here Before (lighting design)
Measure for Measure
 (lighting design)
The Merchant of Venice (lighting design)
King Lear (1991) (lighting design)
The Roman Actor  (lighting design)
Macbeth (lighting design)
Philippa
Leckenby Measure for Measure (set painter)
The Merchant of Venice 
(set painter)
King Lear (1991)
 (design)
Sharon
Lovett Lampi The London Cuckolds (designer)
M
   
Francis
Mander Charley's Aunt  (production photographs)
Lawrence
Maskell Twelfth Night (1990) (co-designer)
Tom
Matthews The Cherry Orchard (technician)
Belinda
Maxwell Macbeth (stage manager)
Emily
Maxwell Hay Fever (stage manager)
Dave
McCabe The School for Wives (lighting design)
Cassie
McCallin The Rivals (stage manager)
Andrew
McRobb Candida (costumes)
Nude with Violin (costumes)
The Importance of Being Earnest (2010)  (assistant designer)
"I'll Leave It to You"
  (costumes)
Prav
Menon-Johansson The Importance of Being Earnest (2010)  (designer)
"I'll Leave It to You"
  (designer & photographer)
Ghosts
 (design)
Tom
Mitchell Nude with Violin (technician)
Alisa
Morris "I'll Leave It to You"  (lighting/sound technician
Mehmet
Mustafa Richard II (stage manager)
N
   
Richard
Newman Charley's Aunt  (design)
Endgame (design)
Susanna
Nielson The Importance of Being Earnest (2000) (LX operator)
Sue
Nye The Rivals (dance steps)
O
   
Dermot
O'Brien Romeo and Juliet (fight arranger)
Life Is a Dream (publicity and printing)
John Gabriel Borkman (administrator)
Measure for Measure (design, marketing, printing and administration)
Measure for Measure (design, marketing, printing and administration)
Macbeth (stage fight director)
Ostacchini The Social Climber (publicity)
P
   
Iain
Peacock Ghosts (assistant stage manager)
Jan
Philpot Misalliance (stage management)
Racky
Plews The Importance of Being Earnest (2010)  (technical manager)
Claire
Porter Measure for Measure (costumes)
The Merchant of Venice (costumes)
Max
Powers Nude with Violin (lighting & sound)
Sean
Prior The Importance of Being Earnest (2010)  (theatre manager)
Tom
Pye Twelfth Night (1990) (co-designer)
R
   
John
Raper The Importance of Being Earnest (2010)  (audio consultant)
Louise
Raphael The Cherry Orchard (dance direction)
Kate
Read The Importance of Being Earnest (2000) (design)
The Tempest (design)
The School for Wives (design)
Readman The Social Climber (choreography)
Sades
Robinson Measure for Measure (costume supervison & design)
The Merchant of Venice (costume supervison & design)
Andrew
Rungen The Roman Actor  (stage manager)
S
   
Roger
Sansom The Importance of Being Earnest (2010)  (script consultant)
Tim
Shoesmith King Lear (1991) (assistant director)
James
Silbers Ghosts (stage manager)
Richard
Sirot Twelfth Night (1990) (publicity)
Carola
Stewart The Importance of Being Earnest (2010)  (xasting)
Charley's Aunt  (casting and assistant director)
Ghosts (casting and assistant director)
Kate
Stillman The School for Wives (stage manager)
Sutton The London Cuckolds (lighting design)
The Social Climber (lighting design)
T
   
Amanda
Tait Scapin's Tricks (stage manager)
Life Is a Dream (stage manager)
Jill
Thomson Measure for Measure (stage manager)
The Merchant of Venice (stage manager)
Misalliance (stage management)
W
   
Charlotte
Ward Ghosts (press and marketing)
James
Whiteside The Importance of Being Earnest (2000) (lighting design)
Ed
Wirtz Richard II (set construction)
Y    
Jennie
Yates The London Cuckolds (costumes)
The Social Climber (costumes)
Charles
Yorke The Importance of Being Earnest (2010)  (poster cartoonist)
"I'll Leave It to You"  (poster)
Charley's Aunt  (poster)
     
Z    
  Zoran Matic The Importance of Being Earnest (2010)  (production photography)
     

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